Category Archives: interviews

Interview: LCMDF at Monki Berlin Store Opening

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A couple of days back, something pretty awesome happened. My favourite Swedish clothing shop Monki invited us to their opening party over at Münzstraße 20, right across my work in Berlin Mitte. And even better, I met the Emma and Mia of the quirky pop combo LCMDF.  We had a quick chat about sisterhood, Helsinki and the Monki seamonster. Happy reading!

PS: The Monki Berlin Flagship Store officially opens today Friday, April 12. Get your asses up and buy some CLOTHES in your lunchbreak yo!

PPS: Their new video below has puppies in it. Featuring Dena.


And here comes the interview:

PDC: The Guardian described your sound “punky, poppy, electro“, is this how you would describe it too?

LCMDF: Yes! I think we are going more pop over time. What would we describe as punk is going more into the pop direction. But there is this attitude to our music and our style. I guess the punk thing comes from our live shows, we have pretty crazy life shows. So punk is not our genre but our attitude. But it is definitely becoming more Pop.

PDC: You are from Helsinki, Finland but you moved to Berlin in 2009. What was the reason for that?

LCMDF Emma: We kind of ended up here. We were recording here, and then travelling a lot. But I kept on coming back here instead of going to Helsinki. So I ended up here and I think it is a great city to work as a musician. I am really happy I stayed.

PDC: Emma & Mia, you are sisters, do you live together and steal each others clothes? If so, which ones?

LCMDF Emma: No we do not live together. That would be kind of crazy. Yeah we steal each others clothes a little bit. If Mia forgets that she has this piece of clothing, that she does not wear anyway; then I would be like “can I use this” and then I never return it. But really good friends do that as well. We could describe our sisterhood as a really good friendship.

PDC: You’re Scandinavian and so is Monki. Tell us as Germans – what’s so Scandinavian about you and those clothes?

LCMDF Emma: Yes, I think it is a very Scandinavian brand. The style is very classy, bright and clean. The first time when I saw Cheap Monday, that was the start of the whole Monki/Weekday brand.  So when I saw this I was like “this is the coolest thing I’ve ever seen!”. So getting these designer style clothes at an affordable price was like heaven for me. I like the style, it is really LCMDF. Quirky casual. A little bit of fun but still classy.

PDC: So the concept of this store is called “”The Sea of Scallops” and is all about the feeling of an underwater world, with sunken carousels, tangled shipwreck rigging, sea monsters, jellyfish and seaweed – when you were still in Finnland, do you feel strongly connected to the sea?

LCMDF: Well we feel really connected to the sea but where we are from it is really cold. (laughs) Helsinki is not a beach kind of city. But we definitely have a lot of fish and this type of food culture. So in Berlin, there is this one thing that would make it the number one city in the whole universe: And that would be if it was next to the sea. And that is the only thing I really miss.

PDC: Do you have a favourite piece of clothing in the Monki store?

Mia: Well I am wearing this jacket (see picture above) I love it! - this is what I usually wear on stage. Because it gives me a really good silhouette when all the lights shine at me.
Emma: I do love these pastell-blue-green platforms that are going to be in the summer collection. I love those shoes.

PDC: So this Monki store here is slightly different than the other stores; do you feel Berlin needs a special store?

LCMDF: Berlin is such an artist city. Such a weird city. So this has to be a little bit crazy; and topping it.

PDC: What are your future plans, what is next for you?

LCMDF: We will release a second EP in May. And we are working on an album too. This month we are played in each of the Monki stores worldwide. You can hear our selection of tracks Thursday until Sunday. And we also put some of our new material in there. So if you go to a Monki store you might hear some of our new songs.

PDC: So how does the new material sound like?

LCMDF: It is going to be more pop. The next EP is a lot about attitude and acceptance. And the forces of Yin and Yang. We are going to emphazise our characters; so Yin and Yang even more; we are blonde and brunette, night and day, and sisters too. We are like one, but then we are also really different. And this is what our band is about. But we will continue commenting on social media, self-esteem, being a young woman.

PDC: What type of music do you play at the Monki After Party tonight?

LCMDF: A mix of Pop, Hiphop, Indie and Electro. Stuff from the late 90s and new stuff. Supercool music. Also a selection of stuff that nobody has heard in a while. I love it when people a remembering songs and are like “oh my god I have not heard this in 10 years”!

Thanks for being awesome Emma and Mia!

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Interview: Wild Belle

wild belle / natalie & elliott / (c) wild belle

Having developed a very uncharacteristic but all the more intense love for Chicago’s brother-sister duo Wild Belle, I had to sit down with Natalie and Elliot when they were in town for INTRODUCING to chat about music to have sex to and having your own record label.

PDC: You said there was always music in your house when you grew up. Were your parents musicians?

Wild Belle: Yeah – there was always music happening around the house. Our mom played the piano and the guitar. Lots of jazz standards on the piano and Joni Mitchell type stuff on the guitar. Our dad also played and had a great record collection.

PDC: Having siblings, I know it can be a hate-love kinda thing. Do you feel being related and in a band makes it harder – do you sometimes feel like killing each other?

Wild Belle: Most of the time it’s just a positive thing. We have a very similar musical vocabulary and are able to to get past most of the strife and stress that goes along with being in a band together.

PDC: Listening to Isles makes me feel like a holiday, despite the snow. Where did you get that tropical sound?

Wild Belle: We draw inspiration from all sorts of music, and lots of it happens to be in a warmer climate. We love rocksteady and reggae, but also afrobeat and tropicalia. All of that filters in to what we do in Wild Belle in some way or another.

PDC: Natalie, you said in a previous Interview that you draw inspiration from older stuff, whereas Elliot, you said you’re also listening to a lot of new music to get new ideas. Do you have a certain process of bringing the inspiration you got together to make it into something of your own?

Wild Belle: We always go through a process in the studio of deconstructing and reconstructing a song. It sometimes has to go through a few incarnations before it comes out sounding like it exists in our world. We’re always looking for the “magic button.”

PDC: You’ve gotten the remix treatment from some of our favorite remixers like Snakehips. If you had the choice – who would you like to remix your music?

Wild Belle: We’d love to do something with Diplo and the Major Lazer crew. They have an amazing way of dealing with island sounds. We’ve also been talking to Matthew Dear about doing something. Maybe Dev Hynes too…


PDC: You guys started your own record label Sandhill Sound about a year ago. Do you feel like you want to help new acts get established or how come you started the label?

Wild Belle: We just wanted to have a way to get some of our own music out in to the world. I think that we will do some more 12″ releases at some point in the future. Maybe release some of our friends’ bands or some Wild Belle side projects.

PDC: If you could take a year off and do whatever – what would it be? Travelling the world, staying home reading tons of books ?

Wild Belle: That sounds like a pretty good combination actually. Maybe we would split the time between home and away. That’s sort of what it’s like right now. Mostly away these days!

PDC: We have a weekly mixtape section on the blog and are planning a sexmusic edition. Tell me the sexiest tune that you can think of – as in really really hot without necessarily being filthy.

Wild Belle: Anything from D’Angelo’s Voodoo record! One Mo’ Gin is a jam!

Be part of ze holiday & watch their performance at INTRODUCING right here – and right now, since it’ll only be online for four weeks BOO-HOO. You can also find the German version of our interview over at ARTE Live Web.

Interview: Drinking beers with Zulu Pearls

ZP KIOSK
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A couple of weeks back as I went to the Ducktails show at hausungarn, I accidentally caught a show by the Berlin-based hot shots Zulu Pearls. Ever since then, they became my answer to the question: Who do you listen to the most at the moment? Because the band around D.C. born singer-songwriter Zach Van Hoozer captures the very essence of how rock music should sound nowadays: Fucking sexy. With a dash of cynical romanticism. About half a year ago, they released their first album No Heroes No Honeymoons on Cantora Records, home of MGMT. And played along a ton of great bands such as Twilight Singers, Destroyer, Cults and Tennis. Let me tell you: These guys are about to go off like a loaded pistol!

Therefore, I was pretty honoured to meet Zach and his Dutch soulmate and fellow band member Jasper in Berlins best Belgian beer bar called Herman, which is close to my hood at Senefelder Platz in Mitte. We ended up talking for four hours, discovering our mutual love for American trash TV and discussing the skills of Australian rap queen Iggy Azalea. Enjoy this mad-cool interview and buy some vinyl over at bandcamp!

PDC: Zach, what was the one incident when you decided that you have to move from Washington D.C. to Berlin?

Zach: I’d finished school and was back home at my parents’ house. I was going to move to New York actually, but then I visited Berlin once more in 2009 and met Jasper and a lot of my close friends here. Everybody said I should give it a shot so I figured out how to do it and I did it and it worked out.

PDC: So you two did not meet in Washington?

Jasper: No, we met here in Berlin.

Zach: I came here with the record we have out now. I finished it at the day I moved, and I thought I was going to give up on music for a while.

Jasper: Yeah and we were just sitting around the house, and this music was playing. And I was like: What is this? This is pretty good! And Zach was like: It’s me!

Zach: And Jasper was like: Why you’re not playing? He’s like a band soul mate to me. I found him across the ocean and he has extremely similar taste. He’s a great guitar player and has a lot of time.

PDC: So who inspired you to do music in the first place?

Zach: I was really coming into my seventies phase when I moved to Berlin. We like a lot of classic rock. Big names like John Lennon and Lou Reed, The Clash…classic artists, really. I like to keep up with up with rap, which I’ve always been into. I got inspired to start making our videos after seeing so many rappers making all of their music and videos themselves constantly. We’re big on DIY.

Jasper: I am not such a rap guy. I was listing to The War On Drugs the other day. We’ve been getting into a lot of Dub…The Scientist, Prince Far-I etc.

PDC: So you do not really know a lot of bands who live here?

Zach: We do but it is all really fragmented. It’s hard to keep track of who plays in what band and when and where they are playing.

PDC: Jasper, did you have a particular reason to move from the Netherlands to Berlin?

Jasper: I had been living in Amsterdam for almost 10 years – and I was just ready for something new I guess. I needed to find a new place and it was easier to find one in Berlin than it was in Amsterdam. It was just too hard and expensive. I had already been here six times and always had a good time. I made it a permanent vacation. We don’t have any daytime obligations except for the band.

PDC: So you are on Cantora Records, home of MGMT

Zach: Yeah, I vaguely knew one of the guys who runs it from my home town actually. Which helped us getting on with them. I think when they were in college they discovered MGMT and put out their first EP. So that was a big deal and that is why they have a label. They do a lot of other stuff that I don’t understand. They’re very flexible and are involved in business aspects of the industry that are constantly shifting around. I’m out of my depth with that, but it’s important to be able to update your business model I suppose. They helped bring us to the US two times last year. Things are just getting started but for me, the current record is already close to 4 years old. I’m excited to put out some new material soon ish. We have 20 songs right now, and now we have a plan to put it out because we have a label. But these songs have changed so many times. It will take a while.

PDC: So is there any main theme of the last album, love maybe?

Zach: No, I don’t think so. I was young and bored of living in America. I am turning thirty this year. But I was 23 when I wrote those songs after graduating university. There was a lot of cynical attitude on “No Heroes No Honeymoons”. With me there’s always a bit of cynicism involved, but lately I feel a lot differently.

PDC: So how did you get your dad to do your music video?

Zach: He wanted to. It was really just me, him and a friend. We borrowed that big car. And this woman who has been my neighbour my entire life – I never realized she was actually from Berlin. So I came back last time and had fun speaking German with her.
Anyway, my parents are really supportive and my dad was just having a good time. All of the video is real, that was just a real karaoke-bar that happened to have a costume party that night. And I just made him drink a little and throw on the shirt. But he wears it all the time anyway. It was fun to go back to my hometown, like that diner. I made all of our videos myself and really have gotten into it. Recently I was involved with a Marc Owen video, which was pretty wild. I’m trying to do more video on the side, to earn a bit of cash. I’ve been trying harder on all fronts really, the music front and video front. We like to do as much as we can by ourselves.

PDC: But it looks very professional!

Zach: Thanks a lot! I think I’ve basically put myself through community college from watching so many tutorial videos online. Every time we have something to do we just figure it out. Most of the times I’ve hired someone to do something for me, in the end I was disappointed. I’d much rather fail myself, trying to get my vision across than have to deal with a diluted interpretation of what I was looking for.

PDC: So you know each other really well, do you all live in the same house?

Zach: No we don’t. But we know each other really well. Jasper has stayed at my parents house pretty often, and we’re all very laid back.

Jasper: I love hanging out with Zach’s dad.

Zach: Yeah, I think he wants to drive us, that’s his fantasy and he wants to be involved. I would love him to drive us on tour and then I could make a short documentary about it.

PDC: Do you have any funny show memories?

Zach: Not so many, our first time last year at CMJ our bassist we were playing with in the states got a bit drunk and suddenly had his shirt off and was sitting on top of the amps. I didn’t see it coming, but I enjoyed it. I thought it was entertaining. We were all a little burnt out on New York at that point. We had so many shows at CMJ, several in the same place. It was our first experience of realizing we were at a so called industry event. You can really feel that it has little to do about the music and everything to do with the people working in the business.

Jasper: It is really awful. There is a really big gap between music industry people and musicians. And I don’t think they mix very well.

Zach: Coming from Berlin it was a bit jarring. Everyone is grinding so hard to be on top. One person pulls out a business card and suddenly there are ten in your face.

PDC: So what is next for you?

Zach: Playing as many shows as possible. Finishing up all our new material including our 2nd LP and definitely making some more videos. Basic stuff. It is really time to start the new phase with some new music. Now we have a home and are ready to do it, we didn’t even have a practice space until a month ago. Usually we would practice a day before shows in a rented space for an hour. But now finally it’s like we have an office. I really like it. It even has windows. Turns out it’s very close to the this club called Sisyphos. We went to record at the space last Sunday at noon, and the tram was full of wasted people. They didn’t look like punks or your average street drunks, but they were all drinking wine from the bottle. It all made sense when the tram stopped and they all got off with us and walked straight into the club. It was a nice Berlin moment.

PDC: Do you have any friend bands that you would like to rep?

Zach: Oh yeah, my friends who were heavily involved with “No Heroes No Honeymoons” have a band called The Tender Thrill in D.C., they play Rock ‘n’ Roll. I like the band Ballet School, another local band. And I receive some tunes from Sweatshirt which I liked, and our friends from New Zealand have a band called Sun and the Wolf.

Jasper: My friend Young Marco from Amsterdam. He plays electronic stuff. Vintage weirdo disco.

Thanks so much for this interview Jasper & Zach! Let’s drink beer again soon.

Interview: Isadora – of those who put the sexy into Brooklyn

isadora
Photo by Eric White.

Williamsburg, Brooklyn. A place, where thousands of musicians produce and play, where the quality of output is so intense that regular citizens get spoiled everyday. When I moved from Brooklyn to Berlin four years ago, it was the music and that buzz I missed the most. Especially the sound of those who stand out, such as Isadora. Bittersweet rock music. With songwriting so elegantly put, melancholic and raw-voiced at the same time. Influenced by Tame Impala, Nick Drake and Kurt Vile. Read about lead singer Aaron Mendelsohn insights into Brooklyns music scene and about how drummer Jesse did not die in their last music video.

Also, watch out for Isadoras self titled first EP – ready, hot and dropping on 19. of February on iTunes. And if you live in the NYC, don’t miss their release show at Glasslands Feb 22. YOLO!

PDC: You changed your name from „The Yes Way“ to „Isadora“. What is different for you now, what changed except for the band name?

Aaron: We added a new bassist and keyboard player/singer – they both sing actually.  The energy of the project, from the new people and from having more voices, is a totally different thing.  We’ve come so far away from where The Yes Way had started that it seemed the only thing tying us to the name and what it had represented was the name itself.

PDC: Why the name Isadora, what does it mean to you?

Aaron: It’s a tough one to nail down.  It was a picture on the wall of the bar near our practice space – Josh (keyboards) said she looked like she’d be an Isadora.  We all got behind it as a band name really quickly.  There’s a certain vibe that comes across from just the look and sound of the word, and we think the vibe of the music we play aligns well with that.

PDC: We are in love with the song “21 ½”. What is it about and where did you get your idea for the song?

Aaron: I was listening to a lot of Nick Drake when I wrote the basic guitar line and words, so on a musical level, there’s that.
I’d been involved with a girl and she lived 21 1/2 King Street – which is one above prince and two above spring, as the lyrics go. I’m just trying to paint a picture of a certain evening there by her place, really.  I’ll leave the details up to the listener’s interpretation.

PDC: We must admit, we were pretty creeped out but also impressed by the video to “Falter“. What is Falter all about and why this sadistic video?

Aaron: We put the video in the hands of the director, and were absolutely in love with his concept.  It’s difficult to shock people these days, and that is a challenge that appeals to us.  The song is an examination of how fragile things can be in a new relationship in the modern world.  We understand that our innocence is lost but we refuse the notion that we aren’t going to have something pure and beautiful.

PDC: Did Jesse suffer a lot during the making of?

Aaron: Oh, boy. Yes.  I think he scarred.  But he didn’t really die at the end.  That was just special effects.

PDC: Do you find it hard, to compete with so many other bands in Brooklyn?

Aaron: It can be hard to rise above in such a saturated environment, but it would probably be harder for us to be doing it anywhere else.  The city is such an inspiring place to be and I have no idea what our music would even sound like it if we were anywhere else.

PDC: What is your favorite venue to listen to live music in Brooklyn and why?

Aaron: Glasslands and Union Pool are probably tied for my number 1.  Both places have so much character and they also tend to get the acts that I’m looking to see.

PDC: Aaron, I assume you still write a lot of songs yourself. How to you get into the song writing mode?

Aaron: So many different ways.  I like to put myself in the rehearsal space and just play and play until something feels worth repeating.  This is how I’ll arrive at chords and guitar parts a lot of the time.  The lyric writing is usually something I do separately and something I’ll put more time into editing on my own.
We do write together a lot as well.  I feel pretty good about bringing something that’s incomplete to the band and seeing where we take it from there as a group.  I’ve learned that songs often turn out better when I look for collaboration before trying to complete an idea.

PDC: Which musicians inspire you as Isadora currently?

Aaron: Tame Impala, Zulu Winter.

PDC: Who was your musical childhood hero?

Aaron: John Lennon.

PDC: Which Brooklyn newcomer band can you recommend?

Aaron: Foxygen.

PDC: Which question did you always want to be asked as a band and what is the answer to it?

Aaron: Question: What chord is that? Answer: Usually D.

PDC: When will you come to Berlin?

Aaron: ASAP.  Is that an invitation?

PDC: YES!

Thank you dear Aaron Mendelssohn, lead singer of Isadora, for making the time for this interview.

Btw – isn’t this just the most adorable album cover?

isadora_front cover

Interview: Here Is Why – Starlit German dancefloor pop

Here Is Why_by © Johannes Heinke

When you don’t know the Eastern German city Leipzig you might not know a bunch of things. For instance that it buzzes with new musical gems like no other. Where a cagillion bands arise that are genius, entertaining and fresh. They say that Leipzig is the new Berlin, and the sizzeling pop starlets Here Is Why prove it. Starlit dancefloor drenched in sweating sound – that’s what they call themselves; and rightly so! I interviewed Michael (lead singer) and Markus (drums) in their very own kitchen, after we had seen them live at the Berlin Introducing Show with Arte Live Web. Their show included some 80s disco dancing vibes and reminded us in which direction pop music of 2013 should go. Happy reading!

PDC: Your performance at the Introducing Show sounded as if you would transport Human League, Depeche Mode or New Order into the 21 century with a bang. What inspired you to your sound?

Michael: The 80s played an important role for us when recording our album HRSY. Not necessarily those bands, but there is quite a bit 80s in it. What counts for us though is the Zeitgeist of that decade. Currently, we are developing our sound further.

PDC: Besides your current (amazing!) album HRSY you also did a remix album called HRSY Perspectives. That one transfers your pop tunes to the club for sure. How did it come about?

Markus: Through a bunch of friends, contacts, old acquaintances. We have quite a few other projects that happen in the club. We asked for remixes, but people would also ask us. So we decided to make a whole album out of it.

PDC: Michael: Besides your role at Here Is Why, people know you under the moniker Good Guy Mikesh and sometimes even Leipzig’s Timberlake. How do you balance all these projects?

Michael: Well, that was quite some time ago with Leipzig’s Timberlake. Everything happens at different times. Sometimes I am on tour with Here Is Why or at the studio, then we work on a remix or a production with Good Guy Mikesh & Filburt. Those projects enrichen each other and influence each other of course. Since we are out and about in the Disco and House scene, we connect with interesting people such as Kasper Bjørke, the guys over at Permanent Vacation or Daniel Bortz for instance. Or the people at the Keinemusik label from Berlin.

PDC: How did the collaboration with the Danish producing god Kasper Bjørke came about?

Michael: At some point, Kasper sat in our kitchen, since Markus invited him for one of his events here in Leipzig. We spent an awesome evening together, so we had the idea that he could do a remix for us.

PDC: Tell us more about your own label Riotvan!

Markus: We started out as a Party collective and a booking agency. The thought of starting a label had been in our minds for a while back then, so it made perfect sense to put our first Here Is Why record out there as a debut for the label as well. And we are working very hard for it.

PDC: You are from Leipzig – and they say it is the new Berlin. How does the city influence your music?

Michael: Leipzig is more relaxed than Berlin. Others would maybe say boring, but I do not share that opinion. They are two different cities with different settings and conditions. In Leipzig, people are very close to each other. You are in the middle of the music scene, and at some point, you will meet everyone. Berlin is larger, more anonymous, and that makes up the difference for me. I love to visit Berlin, but in Leipzig I feel at home. It is way more likely, that you actually meet other people in Leipzig and work together. But Berlin is of course an amazing city with lots of possibilities.

PDC: So Leipzig is a new hub for music right now?

Michael: Right now, there are interesting things happening in the music scene over here. But not only in music, also our art scene develops to become more international.

PDC: How are producing conditions for young musicians?

Michael: Rent and living costs are relatively cheap in Leipzig. As a band here though, your issues are rather the expensive rehearsal spaces or studios. The city of Leipzig could support subcultures and unconventional projects more than right now. They do not recognize the potential of creative and subcultural movements yet.

PDC: Do you have band friends from Leipzig, that you could recommend?

Markus: For sure Deko Deko. You will hear more from them soon. Also we are good friends with Shandy Mandies, but there so much more, especially when it comes to electronic music. Like Phillip Matalla or Lake People, Panthera Krause, Webermichelson. There is so much happening in Leipzig right now.

PDC: What are you listening to at the moment, who is your favourite artist right now?

Michael: We all loved Twin Shadow very much. His first album was the bomb. I also just discovered Light Asylum for myself.

Markus: I also thought the new Grimes-Album was quite interesting. And Woolfy vs. Projections which was released on Permanent Vacation.

PDC: What are you up to next?

Michael: We are currently working on our new album with Here Is Why. We have a lot of songs already.

Markus: We have a bunch of things coming up and a lot of work to do. Our label is also progressing, we are working on a new live-set, an new video and a lot of things in the background. In 2013, we will have live gigs again.

PDC:One last question: What do you think about the typical Leipzig dialect?

Michael: Well the Leipzig dialect surrounds us everyday, and we speak it perfectly. If we want to.

PDC: Thanks so much for making the time guys!

Watch the whole sizzeling show of Here Is Why on Arte Live Web.